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A CAPELLA DO NOT STAND AT MY GRAVE AND WEEP PDF
A CAPELLA DO NOT STAND AT MY GRAVE AND WEEP FREE

A CAPELLA DO NOT STAND AT MY GRAVE AND WEEP PDF

Copies £1.50, PDF £25.įor more secular choir pieces, also check out my arrangements on this page – many of the pieces there are for three-part or two-part choir.

The Toads’ Chorus (4′, six-part choir, difficult).

Sleep (5′, SATB, difficult) Words by William Drummond of Hawthornden (1585-1649).

Under The Wide and Starry Sky – (2′, unison choir and piano, very easy – words by Robert Louis Stevenson).

The Water Cycle – 6′, children’s choir (SA with some optional divisi and solos), piano, vibraphone, xylophone and marimba (percussion instruments can easily be changed), and optional rainsticks.

After Culloden – 5′, SATB choir a cappella, mostly easy.

O Mare! SATB or SSATBB, needs at least 4 people to a part but fairly easy.

And when you wake in the morning's hush, I am the swift uplifting rush of quiet birds in circled flight. I am the sunlight on ripened grain, I am the gentle morning rain.

Come Away, Death (3′, SATB, fairly easy, words by Shakespeare). I am a thousand winds that blow, I am the diamond glint on snow.

When you awaken in the morning's hush I am the swift uplifting rush Of quiet birds in circled flight.

As The Rain Hides The Stars – for SATB choir (some divisi, min. : Do not stand at my grave and weep I am not there.

Do Not Stand At My Grave And Weep – SATB (no divisi), 3′, ideal for a memorial event but would also make a lovely concert piece.

Mary Morison – 4′, SSATB choir a cappella, fairly easy.

I’ve put up a new piece for which you can pay as much (or as little) as you want! It’s a 3-part round called “A Bicycle Wheel”, should be suitable for any level of choir.

A CAPELLA DO NOT STAND AT MY GRAVE AND WEEP FREE

#choirsagainstracism is a project of free music to fight hatred and support refugees and related causes – most of the pieces there are secular.The Birlinn – available for SATB, SABar or TBarB choirs (with piano).When you awaken in the morning’s hush, I am the swift uplifting rush Of quiet birds in circled flight. I am the sun on ripened grain, I am the gentle autumn rain. I am a thousand winds that blow, I am the diamond glints on snow. The Kindness of Strangers (words by Brian Bilston) for SATB choir (divisi to SSAATBB, handy if you’re short of tenors). Do not stand at my grave and weep I am not there I do not sleep.Do Not Stand At My Grave And Weep SATB (no divisi), 3, ideal for a memorial event but would also make a lovely concert piece. Clarke’s setting is at once resolute and then delicate. CMP 418 05 031 This popular text, attributed to Mary Elizabeth Frye, poignantly depicts the wonders of one’s everlasting soul. It’s available for any type of choir and piano (available for 2-part, SSA, TBarB, SABar, SATB and unison) – click here for scores and a recording. A Cappella and Otherwise, an album by US Army Chorus on Spotify. Mary Morison 4, SSATB choir a cappella, fairly easy. A Cappella (97) Percussion (4) Brass (2) String Quartet (1) SATB (1) Guitar (1) Piano (37). “We Are One Voice” is a very flexible piece for choirs (commissioned by Beaconsfield Choir Festival) – ideal if you have a number of choirs of varying abilities and numbers of parts and want them all to sing one piece together that they can also use individually.I brought your name to the river – commissioned by the Edinburgh Singers with support from Creative Scotland.Winner of the Murau International Music Festival Composition Prize 2019 and the Wicker Park Singers call for scores 2019. They are also published in England: Poems from a School (published by Picador, edited by Kate Clanchy, Mohamed’s teacher). The words are by Mohamed Assaf, a Syrian refugee who now lives in England, written when he was 12. Moderate difficulty, several rapid key changes.

Where Are My Unnumbered Days? – for SATB choir with some divisi (could be done with 2 people per part, would work better with 4 or more).Five pieces based on Scots myths and legends, with texts by poet and storyteller Bob Pegg.

Statue Songs – SABar choir and piano, fairly easy.

Let Them Not Say – available through Choirs For Climate.

Its effect as a poem of consolation resonates outside academic or even artistic contexts. While countless variants and interpretations of Do Not Stand By My Grave and Weep continue to appear, the 1934 publication entitled Immortality stands as the earliest printed version. For SSAATTBB choir and small speaking chorus, quite tricky. Analysis: Do Not Stand at My Grave and Weep.

When The Snow Came – winner of Kantos Choir’s 2021 composition competition.

I am the gentle showers of rain, I am the fields of ripening grain. I am in a thousand winds that blow, I am the softly falling snow. These pieces have non-religious texts, and can be performed in any context. Do not stand at my grave and weep, I am not there, I do not sleep.